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Watercolours (for piano)

Composer: Matthew Orlovich

$24.95

Watercolours (for piano) is a set of five pieces which reflect something of the beauty and spirit of Australia’s coastal waters through a music that is inspired by the sounds of gongs, bamboo flutes, voices, metallophones and all the other instruments which comprise the Javanese gamelan.

The world premiere performance was given on 9 April, 1997 by Simon Stone (Melbourne, VIC, Australia), at Hochschule für Musik und Theater, Hannover, Germany.

Specifications of PDF Digital Download:

    • Catalogue Number: WM 014e
    • ISMN: 979-0-7202-1527-3
    • Score: 24 pages (A4)

Additional information

SKU: 9790720215273 Categories: , Tags: , , , Product ID: 3646

Description

SCORE DETAILS

 

Composer: Matthew Orlovich | Date of Composition: 1995 | Instrumentation: Piano | Duration: c. 12 minutes, 30 seconds | Publisher: Waratah Music | Format: PDF Digital Download (WM 014e : ISMN 979-0-7202-1527-3) | Edition: 17 September 2020


COMPOSER’S NOTE

 

Tools of the Trade | Matthew Orlovich, Australian Composer.In composing Watercolours (for piano), I have sought to reflect something of the beauty and spirit of Australia’s coastal waters through a music that is inspired by the sounds of gongs, bamboo flutes, voices, metallophones and all the other instruments which comprise the Javanese gamelan.

The composition consists of five parts (I-V) which are centred around different keys and arranged in a pattern that heightens their contrasting moods.

Part I (Allegro con moto) commences with bright, ringing sounds akin to those that emanate from the metal instruments of the gamelan. There ensues an evocative lontano section followed by a recapitulation of the bright, opening material.

Part II (Dolore con un poco rubato) comprises music of a darker hue. A modal shift, suggestive of a little shaft of sunlight (Un poco luce del sole), momentarily lifts the prevailing mood.

Part III (Con brio) begins with brisk flourishes and flowing textures. A tuneful pentatonic melody unfolds and rises to a brightly coloured climax, whereupon the opening flourishes are recalled before the music very gently fades away.

Part IV (Tranquillo) draws upon the reverberant sounds of wind chimes and birds. An espressivo inner melody emerges amidst a background of sympathetically vibrating strings.

Part V (Con spirito) is a lively finale commencing with effervescent rhythms and sparkling tone colours. A tranquil central section exhibits a delicately ornamented melody set against a pianississimo accompaniment. Thereafter, an escalation in dynamics and rhythmic intensity gives rise to a return of the lively opening material, bringing the work to its conclusion. – MO.

 

SCORE SAMPLE

 

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PERFORMANCES

 

Some of the known performances of Watercolours (for piano) include:

MONDAY 14TH OCTOBER, 2013
Watercolours V
Performer: Winner 16 Years and Under Grandpianoforte Solo & Norma Shuttlewood Bursary for the most outstanding performance in the piano and instrumental section.
Venue: Mackay Eisteddfod, Mackay QLD 4740, Australia.

SATURDAY 10 & 17 JANUARY, 1998 (8PM)
Watercolours (arranged / choreographed for dance)
Performers: Mira Mansell (choreographer) and company, Matthew Orlovich (piano).

Venue: ‘Walking Towards’, Sydney Fringe Festival, Glebe Town Hall, Sydney, Australia.

1998 – CD recording
Performer: Yvonne Lau (piano).
CD title: First Light (FAC-98-1)
Released by: Fellowship of Australian Composers in association with APRA.

WEDNESDAY 9 APRIL, 1997 – World Premiere Performance
Performer: Simon Stone (Melbourne, VIC, Australia)
Venue: Hochschule für Musik und Theater, Hannover, Germany.


 

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